Everything and Nothing
Artists: Sanela Jahić, Nikita Kadan, Zhanna Kadyrova, Vladimir Logutov, Timofey Radya and Mark Požlep The perception of the fourth dimension […]
curatorial
The Anatomy Lesson
Artist: Regina José Galindo This retrospective exhibition of the artist recipient of the Grand Prize of the 29th Biennial of
Cartography of In-Between Space
Artist: Miroslav Cukovic The exhibition Cartography of In-Between Space showcases the work of Miroslav Cukovic, an artist of the younger
Bedtime Stories
The artists Pila Rusjan and Nung-Hsin Hu first met at the Casa das Caleiras residency in São Paulo in 2010. TRAFFIC JAM #2, in which Pila Rusjan and Nung-Hsin Hu made the creative connection, went on in Taipei, as part of the Treasure Hill Artist Village residency programme from January to March 2012. In the intense atmosphere of creative collaboration, the two artists conceived the collaborative Bedtime Stories project.
Trust me I trust you
Mihael Giba is a Croatian intermedia artist, who is presenting the first solo exhibition of his work in Slovenia. His art focuses on the area of data visualization, and he has developed special computer software that serves as the basis for his installations. The common element in Giba’s projects is their mapping of both individual and global social phenomena.
X-OP Cultural Policy Group
The group was formed in the early summer 2010 when Bo Karsten, director of Art School Maa, and Johanna Fredriksson, producer working in the Helsinki-leg of X-OP network, invited some artists for meetings in Maa-Tila project space. According to the initial plan the purpose of the meetings was to come up with an artistic program for the then forthcoming X-OP Festival, which was organized to coincide with the X-OP meeting in Helsinki. In the meetings more urgent, than to propose individual artworks to the festival, seemed to be discussing the trends in the cultural policy of Finland.
Quarter to Two
In 1994, the Museum of Modern Art invited Tadej Pogačar and his institution P.A.R.A.S.I.T.E. museum to intervene at the exhibition of works that had been recently included in the gallery’s collection. With his work, entitled Fifteen to Two, Pogačar intervened in the exhibition by changing the gallery space into a waiting room. Above the main entrance into the room he hung a non-operating clock, set to fifteen minutes to two – the time when employees were already getting ready to leave their work posts for home. The exits leading into other exhibition spaces were marked with signs of the four directions, but not in the right order, and there were two rows of chairs in the middle of the space.